//The Kids We Lose – A Documentary Film – Australian Premiere Screenings

The Kids We Lose – A Documentary Film – Australian Premiere Screenings


A Documentary Film

The Social Mind is proud to host the Australian Premiere of the new documentary, The Kids We Lose.  Internationally recognised Child Psychologist Dr Ross Greene is the film’s Executive Producer and the film is being premiered in Australia as part of Dr Greene’s 2019 Australian Lecture Series, information HERE.

Free screenings are being held in the following locations around Australia:

Cairns FNQ – Monday 24 June – 4:30pm at James Cook University, The Cairns Institute in Smithfield Cairns

Brisbane – Wednesday 26 June – 4:30pm at the Brisbane Convention and Exhibition Centre

Port Lincoln SA – Saturday 29 June – 4:30pm at the Port Lincoln Hotel

Melbourne – Monday 1 July – 4:30pm at the Melbourne Convention Exhibition Centre

Sydney – Wednesday 4 July – 4:30pm at the Chau Auditorium, Building 8, UTS Business School, Ultimo, Sydney

Information about Dr Ross Greene’s 2019 Australian training workshops can be found here.

About the Film

Weaving together moving interviews and rare archival footage, The Kids We Lose portrays, for the first time on film, the journey of a group of children, their caregivers, and their collective struggles at various ages. The kids don’t understand why they’re being mistreated and manhandled or why they’re unable to change course…they just think it’s their fault. Their desperate and discouraged parents hope there’s a better way, but have been on the long road of looking for right help for way too long. Classroom teachers feel ill equipped to help these kids, and have time constraints, high-stakes tests, overcrowded classrooms, budget cuts, and zero tolerance policies interfering with their efforts to retain their patience and compassion under impossible conditions. Caregivers in treatment facilities – which house large collections of challenging kids — often know that the practices they employ are counterproductive – and sometimes even know that such practices make them and the kids less safe — but aren’t sure what to do instead. The entire picture is one of alienation, disenfranchisement, marginalisation, and despair.

Using interviews filmed across North America, the film documents the punitive, counterproductive, misguided, inhumane interventions so frequently applied to kids with social, emotional, and behavioural challenges. In the United States alone, annually, these kids are on the receiving end of three million in-school suspensions, three million out-of-school suspensions, dozens of millions of detentions, hundreds of thousands of school paddlings, hundreds of thousands of restraints and seclusions, and tens of thousands of school arrests. The Kids We Lose also shows how the misperception, mistreatment, and demonisation of these kids begins at very early ages — the astronomical rates of suspensions of kids in preschool and kindergarten tell us it’s so — and simply intensifies as kids grow older and their difficulties grow worse.

In The Kids We Lose, we hear the kids describing how they’ve been manhandled (literally and figuratively) by the system; we also hear the self-blame and hopelessness that springs from being misunderstood and mistreated. We hear the parents describe how they have been inaccurately characterised as passive, permissive, inept disciplinarians, and we hear their isolation and desperation in trying to find the right help. We hear from classroom teachers — some of them “old school,” others fresh out of training – who have received minimal training on understanding and helping kids with behavioural challenges but who are nonetheless on the hook for making things work in overcrowded classrooms that include many kids with special needs. We hear from school administrators who feel tremendous pressure — from school staff and the parents of well-behaved students — to “send a strong message” and intervene in ways that are decisive, punitive…and counterproductive. And we hear from staff in therapeutic facilities, who describe what it’s like to listen to the wailing of kids who are being restrained (pinned to the ground by 2-4 adults) and placed in locked-door seclusion or solitary confinement…but who sometimes justify the use of these procedures out of concern for their own safety. The filmmakers also follow kids and families in crisis, capturing raw cinéma vérité scenes at home, in school, and on the streets.

Amazingly, while the plight and treatment of behaviourally challenging kids makes the news every so often – when a kid is led out of school in handcuffs, or when video of a school paddling leaks out, or when a kid dies while being restrained – most people are unaware of the tragic costs of misunderstanding and mistreating our most vulnerable kids. The Kids We Lose changes that.

The Kids We Lose also highlights the research that has accumulated on behaviourally challenging kids over the past 40-50 years, research telling us that these kids are lacking skills, not motivation.

When The Kids We Lose premiered in the USA, the film won the Best Feature Documentary Award at the New Hampshire Film Festival.

By |2019-02-09T07:30:58+10:00February 2nd, 2019|Uncategorized|Comments Off on The Kids We Lose – A Documentary Film – Australian Premiere Screenings

About the Author:

Ah, a describe yourself box. I have many "labels", a therapist, an educator, a husband, a father, a business person... but I don't believe in defining people by labels, let alone myself! How’s this... I’ve always been intrigued by the role key people play in the course of our life, especially the way they shape our beliefs and values. Significant relationships change you and change the way you relate to others. Well they have me. A few significant relationships in my life have encouraged me to believe, that despite my flaws, I’m at my best, when I encourage others to be the best they can be, to learn from their setbacks and to seize their opportunities. Having a positive impact on the lives of others, that to me is a legacy worth striving for, and after all, it’s my legacy that will define me.